See: Ladies' Library Association (Schoolcraft, Mich.)
CP: You've nailed it about Western liberalism's obsession with language, to the exclusion of wide-ranging study of world history or systematic observation of present social conditions. Liberalism of the 1950s and '60s exalted civil liberties, individualism, and dissident thought and speech. "Question authority" was our generational rubric when I was in college. But today's liberalism has become grotesquely mechanistic and authoritarian: It's all about reducing individuals to a group identity, defining that group in permanent victim terms, and denying others their democratic right to challenge that group and its ideology. Political correctness represents the fossilized institutionalization of once-vital revolutionary ideas, which have become mere rote formulas. It is repressively Stalinist, dependent on a labyrinthine, parasitic bureaucracy to enforce its empty dictates.
Jonathan Swift was an Anglo-Irish poet, writer and cleric who gained reputation as a great political writer and an essayist. Check out this biography to ...
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Swift became increasingly active politically in these years.  From 1707 to 1709 and again in 1710, Swift was in London unsuccessfully urging upon the Whig administration of Lord Godolphin the claims of the Irish clergy to the First-Fruits and Twentieths ("Queen Anne's Bounty"), which brought in about £2,500 a year, already granted to their brethren in England. He found the opposition Tory leadership more sympathetic to his cause, and, when they came to power in 1710, he was recruited to support their cause as editor of The Examiner . In 1711, Swift published the political pamphlet The Conduct of the Allies , attacking the Whig government for its inability to end the prolonged war with France. The incoming Tory government conducted secret (and illegal) negotiations with France, resulting in the Treaty of Utrecht (1713) ending the War of the Spanish Succession .
He captures his thesis with the nugget: “Whoth stop’t at one end, burst out."
The main rhetorical challenge of this bitingly ironic essay is capturing the attention of an audience whose indifference has been well tested. Swift makes his point negatively, stringing together an appalling set of morally untenable positions in order to cast blame and aspersions far and wide. The essay progresses through a series of surprises that first shocks the reader and then causes her to think critically not only about policies, but also about motivations and values.